Beginning in May '06, I'll be presenting a new web comic --right here at Bob Layton.Com.

Each month, you'll be treated to a new installment of the series, written and inked by me and penciled by the legendary Dick Giordano.

In preparation for the series launch, I'm presenting this introduction to the world of COLONY. 

 

A prelude to the saga of COLONY:
Several hundred years from now, at the outer rim of explored space on a distant planet known as Erus, there is a place where they say hope no longer exists.


But...they are wrong.


At the end of the 22nd century, space exploration was at an all-time high.  This boom was partially due to the commerce created by the discovery of the first of five non-human races in 2204. Until that time, Man had explored the galaxy for a century without encountering life in any form other than microbes. As a result, many Earth leaders had become arrogant, convincing themselves that Man was unique, the single sentient creation of the Almighty. To some in positions of power, the conquest of space had become the “will of divine providence”, a manifest destiny for the only entity with a soul in all creation: Man.
Their monumental arrogance was matched only by their absolute dismay when contact was first made with the Pyresians.
At first, there was jubilation at having finally made contact with a sister race and that the long search for intelligent life had finally proven fruitful.
However, some in power quickly realized that the fundamental core of their power base rested on the premise that Man was the dominant life form in God’s universe.

Through the Pyresians, Earth discovers the existence of the other races that occupy our galaxy
To allow any alien race to influence Earth culture would quickly erode the foundation of galactic supremacy that kept certain factions in power.
 

 

 

 

 

 

 

 

 

However, Earth quickly becomes a depository of all things Pyresian, with it’s music, art, cuisine and philosophy quickly becoming a “fad” in the popular culture of the time.
Then, in 2221, the first Pyresian/Human hybrid was born. As a result, the mingling of racial blood came to be seen as a threat the human gene pool itself.
The newly-elected Confederate President, Alexander Wayne, had waged a campaign of fear and racial distrust. Citing several examples of routine clashes between humans and Pyresians, Wayne creates a climate of fear and uncertainty to subtly poison the governing counsel on the idea of allowing the respective races to intermingle without supervision.
Shortly after taking office, Wayne manufactured an incident that turned popular opinion against the five known alien races, culminating in a deportation of all aliens from Earth territories. Wayne declared a state of emergency and seized total military control over the Agency for Commerce and Exploration of Space. (A.C.E.S.)
In the years that followed, the five, known alien races were declared inferior and stripped of all individual rights. Those aliens who refused to knuckle under to the Con-Fed regional governors were declared outlaws.

The planet Erus was first discovered in the Earth year 2217 by renowned stellar explorer, Professor Marcus Wallace. Located in a backwater corner of the universe, the planet had undergone a global upheaval a thousand years before its initial discovery. That cataclysm, resulting from the impact of an asteroid, had released a unique element on the planet’s surface. The discovery of that valuable and mysterious element eventually led to Alexander Wayne declaring the planet off limits to all.

In order to keep curiosity seekers and privateers from meddling with his plans for Erus, President-For-Life Wayne concocted a brilliant scheme to make the planet undesirable to outsiders. He decreed that Erus was to become a prison planet, a depository for the living refuse of the Confederacy. He created a place, so cruel and inhospitable, that no man in his right mind would ever venture there of his own free will.

Thus— the hellhole known as Colony was born.
However, the brilliance of President Wayne’s plan was that he had also conscripted a massive work force as slave labor for mining the planet.  With no chance of parole for the prisoners on Colony, the planet’s secret would remain safe from the outside world.
Shortly after learning of Wayne’s horrifying plans for his discovered world, Prof. Wallace disappeared.
It is presumed that he died in hiding somewhere on Erus.


The story so far:
Present Day: Earth year 2232.
Wrongly sentenced to 30 years of hard labor, Scott Landus is sent to—The COLONY.

The saga revolves around the main character of Landus, whose station in life goes from lowly convict to the leader of an entire planet, whose power will shake the very foundations of the ruling Galactic Confederation.
The story of Colony is about a being’s right to exist…and the quality of life one chooses…or fights…to live. It is also an unsettling allegory to the current, extremist political climate and what could happen if power and racial hatred is left unchecked.

 

 

 

SCOTT LANDIS

 

 

Most who know Scott Landus think of him as a loser.  However, the truth lies much deeper.

Landus has a secret that he shares with no one.
Scott suffers from an incurable genetic disease that will eventually take his life. Every male member of the Landus family has died while still relatively young. His parents’ legacy, foolish clinging to the hope that the disease would bypass Scott, becomes a death sentence to Landus.
As a result of this, Scott Landus has become the ultimate pragmatist. Without a cure and without much of a future to look forward to, Scott tends to be reckless and pragmatic by nature, forming attachments to nothing and no one.

The planet Erus’ indigenous race of beings are known as the Taul.  However, under the thumb of Con-Fed rule, they have become little more than second-class citizens, conscripted as servants to the ruling class on Colony. Brought into the Colony facility as maintenance workers, Landus eventually befriends the Taulians and their leader, named Feu.

 

 

 

FEU-- THE TAULIAN LEADER

 


Meanwhile, President Wayne has clandestinely ordered the execution of all political prisoners on Erus in order to dishearten the underground rebel movement on Earth.

In order to thwart the impending executions of the political prisoners, a bloody Colony inmate uprising begins.
The Colony uprising continues for several weeks. Chaos envelops the entire facility as hundreds on both sides are killed. Eventually, the Confederation army regains control of Colony from the rioters.
During the confusion, with Feu’s help, Landus and a band of human and alien prisoners succeed in a daring escape from the Colony compound. Among this band are Pyresian physician and love interest Orina Zon, a Byriani philosopher named Noblan, a mysterious and dangerous Crall warrior named Faz, (the only Crall who has ever been captured in ConFed history) and Colony’s black marketeer, Perry Callisto.

After weeks of eluding the roving Colony Death Squads, the weary escapees have all but given up hope of ever finding their freedom.

And this is where our story will begin.
Soon, the weary band will stumble upon the scientist who first discovered Erus, Professor Marcus Wallace. Living like a hermit and half-mad from decades of isolation, the secrets revealed to Scott Landus, through the Professor’s science journals,
will change the destinies of Colony, the Earth and Scott Landis forever.

 

2/1/06

 

 

 

All characters & concepts © 2006 by Bob Layton & David Michelinie. Please do not reprint without express written permission.

 

 

Bob Layton: Man & Iron Man by Clifford Meth

I probably shouldn’t admit it with kids in the room but I’m finding it harder and less interesting to write about people I’ve never seen sloppy drunk or piss all over themselves or fight their way out of a whorehouse. You can’t tell if a guy’s got sand when all you’ve experienced are his IMs, blogs, and e-tude. But what the hell—anyone who can still make art in 2006 can’t be that bad.
Cue music. Enter Bob Layton.
The first time I stumbled onto Bob’s art he was one of the star inkers at Marvel, though he didn’t know his stature at the time. He’d become the new guy on The Champions, a comic some editor named after my gang in Rockaway, NJ (these were the 70s—you didn’t sue; you slashed their tires). The book didn’t stand a chance of becoming the next Avengers, FF, or even Defenders because the concept was mother dumb. Hercules a leader? Ghost Rider a team player? Angel in a fag costume? There was no chemistry between pre-established characters, but back then books cost just two thin dimes and there weren’t enough to fill a Sunday afternoon’s reading session beneath that split oak, so I bought ‘em all.
Of course, it wasn’t long before “Bubbly” Bob (or whatever adjective Stan Lee contrived) became one of my fav inkers. Now, good inkers are like bass players—you tend not to notice them until they bust a string and another yoyo starts thumping. But great inkers, well, those are whores of a different color. “Ballsy” Bob (my adjective, but you can claim it, Stan) went on to become the definitive Iron Man re-creator. No more cool exec with a heart of steel; those bottom-of-the-bottle stories were the standout books of their day.
Small world? Not always. I never crossed virtual paths with “Burgeoning Bob” (that’ll be enough of that, Cliff) until recently and I no longer recall what the occasion was, but it wasn’t at a bordello or I’d have Polaroids. Nevertheless, we swapped a few emails and I ended up commissioning some cover reinterpretations. What’s life without music and art on the walls?
If I may boast for a moment—and I do so only to set up the comparison ahead—I must say that I have a world-class comic art collection. I get to wake up to originals by Kirby, Kubert, and Kane; Adams, Steranko and Jeffrey Jones; Cockrum, Perez, Colan, Buscema…pages and covers and sketches and paintings adorning my walls. Fully insured, of course, by Allstate and Smith & Wesson. I’ve been collecting art longer than I’ve been collecting people.
When Bob’s package arrived. I held my breath as I opened it. First of all, someone had forgotten to walk the dog, so the room smelled foul. More importantly, I didn’t know exactly what to expect. But what I found was elation. The pieces instantly joined my list of beloved items. See for yourself.
So I called Bob to thank him, and one thing led to another. After we left the hook shop, I said, “There’s a few questions I’ve been meaning to ask…”

 

CLICK HERE TO GO TO THE INTERVIEW>>

 

 

PRESS RELEASE:

 

Fans of comics are in for a treat this February 24-26 in Orlando, Florida as legendary artist and Future Comics founder, Bob Layton, will be attending MegaCon as a guest of Superverse and Team Zoom Suit. Layton, who is one of the “Armored Legends” artists who has provided an exclusive variant cover for the Zoom Suit comic series, will be on hand to sign autographs and answer fans’ questions.

Team Zoom Suit will be appearing at the three day convention at the Orange County Convention Center showcasing the animated film Zoom Suit and displaying the first issue of the April releasing comic series. Zoom Suit writer and director, John Taddeo, will be in appearance, along with the animation team of Jorge Palacios, Nakia Mann, Diana Striker, Mike Centowski, Booker Thompson, Derrick Dawson and Cameron Kirk. Comic book artist Billy Dallas Patton will also be appearing and signing autographs. An exclusive MetalFX Zoom Suit promo card set has been created to commemorate the event.

“Having Bob at MegaCon with us is great for the fans, including myself,” said Taddeo. “His career speaks for itself, but if I had to say one thing, it would be that his cover to Iron Man #118 back when I was a kid was the initial inspiration for the Zoom Suit story. It’s that same feeling that I’m hoping a new generation will get when they read the Zoom Suit comic.”

The award-winning animated short Zoom Suit, created by John Taddeo, can be seen online at www.superverse.com .

The Zoom Suit comic book will be solicited under Superverse in the February edition of Previews for items shipping in April 2006 on page 313. It can be ordered using product code: FEB063259.