I came across
your website last night after work, and I felt compelled to e-mail
you. Your inks on "Iron Man" blew me away as a kid--never have I
seen JR JR's pencils look so blasted good (where were you on his
X-Men run?!). Then you came along and blew me away with a
humorous (!) take as writer AND artist (!) on, of all things, the
two Hercules mini-series!!
And now, these
commissions. May I say that the Champions-centric recreation of the
X-Men #100 cover was a particular thrill for me, as I
have a soft spot in my heart for the Champs (your inks on those
early Byrne pencils--sheer heaven) as well as the early X-Men stuff.
You do a Cockrum-esque take on the X-characters that would
make Cockrum proud (or jealous)! Just remarkable stuff. (I also
enjoyed your take on the X-Men #105 cover--what a great
issue that was).
After much
shelling away of shekels, I've been approaching a few of my
favorite comic artists from childhood--John Byrne, Sal Buscema and
(possibly) Paul Smith--to do projects for me. (I'd love to have
Perez do a 70s/80s Scarlet Witch, but he's too busy for commissions
right now, so I'm hoping a friend of mine at the Pittsburgh con can get him to do a sketch for me this weekend). As you can imagine,
this is an expensive proposition, and it gives a tightwad like me
severe
 agita. But after seeing your work, I can't help but entertain
the
thought of getting a Layton piece someday, as well.
After all, my
name IS Jeff and I DID love
your work on the Hercules series, so by
rights, don't I get dibs on that "To Jeff" Herc overflow piece?
(ha-ha!)
Seriously, Mr.
Layton--seeing all your work in the web galleries and reading your
comments regarding the creative process behind each commission--it
all hits home about your love of the craft and your
appreciation of your
fans (your commission prices are a gift to the fans). It does my
heart good to know that someone whose work I've
long appreciated
is not only a mega-talent, but a good guy, to boot.
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Dear
Jeff,
Normally, I don't run
letters of comment that are simply praise. But, yours was so sincere
and heartfelt that I wanted to share it with the rest of my readers. It
really is a labor of love for me -- doing anything related to comic art,
be it actual comics, commission and recreations... or whatever. I always try to give
my fans their money's worth on my commissions and turn them around in a
timely fashion.
That being said, I think I
should use this space as an opportunity to thank all those in my recent
commission sale! The response was, literally, overwhelming. As a result,
I will have to extend my usual 2-3 week turn-around time to
about 12, in order to accommodate the staggering amount of commissions I received.
Please be patient while I whittle away at the 3-page long commission
list currently sitting in front of me. Sheesh!
As for you Jeff, thank you
so much for the very kind words. I'll do my best not to disappoint you
in the future with my upcoming projects.
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Bob,
I
want to take a moment to say that when it comes to Iron Man, well, you
are The Man. For most characters, I will always associate a single
artist as the defining one for that character. While I can still
appreciate other interpretations—I’d love to get a John Romita, JR cover
recreation of IM #256, for instance—it will still come down to one
artist for a given character. For Iron Man, that artist is you. I don’t
have a complete run of Iron Man, but I do have a complete run of Bob
Layton Iron Man.
Thanks for your time,
Ryan Leasher |
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Dear
Ryan,
I don't have a complete
collection of Iron Man myself! So don't feel bad. However, I approve of
your choice on which ones you've bought!
Recently I was asked in an
interview about being "typecast" with a particular character, such as
Iron Man, and whether or not that was a hindrance to me career-wise.
In the past, regardless of
the project I was promoting at conventions or
comic shop appearances, the conversation always turned back to questions
about ol' Shellhead. Occasionally, it has been frustrating for me when I was really
excited about a project, say Doctor Mirage or COLONY, to be herded back
into yet another question about which is my Iron Man favorite armor, etc, etc.
But, the reality of it is I would be no where without the legacy of Iron
Man being attached so firmly to my career. However--I had very little to
do with that. I was just doing my job the best way I knew how. What created
that legacy, for me, was people like you -- the readers who embraced what
David Michelinie and I were attempting to accomplish and caused that
legacy to endure to this very day.
So, I actually feel lucky to
have been "typecast" as 'the Iron Man artist'. I embrace that
title with a great deal of pride.
Thanks,
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Bob,
I completed work on the
Secret Weapons #22 fan project web comic. I found most of the color art
with script attached, but had to have 2 pieces re-colored by the
original colorist - Mike McGuire. I had LOTS of help on the project
including Scott Friedlander's great graphic design tips as well as
coloring by Mike and was sent either artwork or scans by 4
ValiantFans.com board members. I think it turned out pretty good
considering it was my first time lettering, doing graphic design on a
comic plus I ended up writing dialogue for 3 pages.
I tried to email the
pdf file to you last week, but it is 8mb and it did not go through. If
you want I can email it to you in multiple pieces so you can look it
over and let me know what you think.
It can also be
downloaded at ValiantFans.com. It is in the registered member section
currently (I am hoping to attract some new members to the site after the
Newsarama article is released in the near future), but I am going to ask
Greg to possibly move it to a section available to the general public
shortly.

I am very interested in
your thoughts on it :)
Your friend,
Chris Gould |
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Dear
Chris,
I tried to access the link
and this is what came up on the screen:
"Your site has used more
than 20% of the cpu. Your account has too many processes running at the
same time. Your site was consuming too many resources. This happens on
occasion to very busy sites that have inefficient scripts running."
So, unfortunately I'm not
going to be able to comment directly concerning the story and art.
However, I applaud you on your efforts to put this project together. I
think it's a great thing that there are Valiant fans out there as
dedicated as you are. As soon as you correct the problem with the link,
I'll be sure to look it over. If you wish, you can always send me a
print out of the book itself. Either way, I'm looking forward to
enjoying a little "blast from the past."
Thanks so much for letting
me know about this.
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Hello.
I don't know if you
remember me, but I am your "unofficial" technical advisor from Future
Comics.
I remembered you were
interested in Nanotechnology, so I thought I would send you this
information for this free seminar. You can get it via the
web in your office. The big use of
nanotechnology in electronics, that I know of, is to build very high
resolution picture tubes for large display televisions. As the third item below
shows, smaller copper wiring is a big issue. This would be especially
true in integrated circuits.
Have you seen an
integrated circuit without a ceramic cover?
The semiconductor device is
a small percentage of the total package. It has to be as big as
it is due to size of copper wires inside the ceramic cover that connect
to the semiconductor device. While surface mount
components have reduced size slightly, more could be done with material
advances.
Enough from me, I hope
you and your family are doing well. I wish you well on your comic book
and artistic projects.
If you ever do another
Iron Man comic, let me know, I will be first in line to purchase it.
Robert (Bob) Smithers
SBInet Engineering
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Dear
Robert,
I tried to contact you many times over the last few years, but my e-mails
were returned stating that your mailbox was no longer in service.
Good to have you back and thanks for the heads-up.
As for me and going back to
doing any Iron Man projects, follow this link:

I’ll have all sorts of questions for you about Space Elevator concepts
soon.
For those of you who may not
have known, Mr. Smithers was instrumental in helping David Michelinie
and me come up with many of the scientific principles we applied to the
Future Comics line. Whenever I had a technical question, Robert was
right on the case for me. As I've been known to say from time to time,
"It's always great to have rocket scientists in your back pocket!"
Please keep in touch Robert,
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Bob,
Greetings! I am
wondering if you ever do commissions of someone's original character
ideas. I have a character that I created in the online game City of
Heroes that I would love to see drawn by you. Would something like this
be possible?
Thank you,
Jason R. Smithwick
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Dear
Jason,
As a
matter of fact, I just recently completed a commission from Michael Poe
on his original City of Heroes character-- Thor's Assassin .
Generally, I have no problem working on such assignments as long as I'm
given adequate reference. Therefore, if you or any other MMORPG players
wish to commission me, I'm more than happy to take on the job! My
assistant, the fabulous Sorah Suhng, happens to be a member of that
community and has educated me (to a small degree) on how it all
functions and that many players are avid collectors of original artwork.
Thanks for asking,
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Hello Bob,
Thorsten from Germany here.
I
met you at the NY Convention this year. I want to thank you for the
great drawing you did in my sketchbook. With this email I’m sending you
two pictures of you that I took at the convention.

Best wishes from Germany,
Thorsten Brümmel |
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Dear
Thorsten,
Thanks for sending along the
pics. As you can see, we posted them along with your letter. Give a big
hello to all my fans in Deutschland.
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Hey Bob
I hope you
remember me - Dave Braunstein - from Eldorado Comics. We used to have
you come to our comics shop (in Pennsauken, NJ at that time) in the late
70s / early 80s for appearances. I've been out of comics for a long
time, but always cherish the art that I still have from you. I had to
part with a lot of my art work during my divorce, but managed to hold on
to a couple pieces that you did for me.
I remember
you introduced me to the single with cheese from Wendy's. Boy, that was
a long time ago when you were living in Delaware and working on the
classic IM run with JRJR and Dave M.
What a
thrill it was for me to stumble across your website. I'm glad to hear
that you are doing well. Your website looks great and now that I see
you do commissions, I will have to entertain an Iron Man
cover re-creation.
Any way, I
had to drop you a line just to say hello. I hope to catch up with you
at a comic con in the near future. I wish I would have known about that
recent NY con.
Best
wishes,
Dave
Braunstein
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Dear
Dave,
It's always good to hear
from somebody I was associated with so early in my career! When I read
your email, I was a little stunned at first to find out that I had
introduced you to your first Wendy's cheeseburger! I find it ironic
considering the fact that I haven't eaten red meat in almost 20 years!
Not that I'm a strict vegetarian or anything (Hell -- I'll bludgeon a
cow to death just for fun!) but I found that restricting my diet and
eliminating a lot of fats has kept me relatively young and good health.
So, in case you're suffering from any ill-effects from said
introduction, I offer my sincere apologies!
While we are on the subject!
I'm very concerned about what we eat as a nation. I believe obesity is a
major health concern in the United States and in the comic industry in
particular. In my personal diet, I really try to stay away from fast
foods, processed foods, or anything that comes "out of a box." My
grocery bills tend to be a little higher than most since I do most of my
own cooking and try to use only fresh ingredients. I'm not a
health freak by any means--I simply believe that the food industry and
the pharmaceutical business are 'in bed together'. One makes us
sick...and the other cures us so we can eat more crap!
I don't know what the HELL
this has to do with what you wrote about, but I thought, since it's my
website, I can talk a moment or two about what I consider to be The
Poisoning of America. So there!
Onto more pleasant subjects!
As far as my con schedule for 2007 -- I have yet to finalize anything at
this writing. As soon as I have any details about upcoming con or
comic shop appearances,
I'll be sure to post them here on my website.
Looking forward to seeing
you again and introducing to something a bit more healthy to eat,
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Hello Mr.
Layton,
I've seen
several mentions of this on various websites, but never anything
concrete... Before the decision to revive Jean Grey was made, did you
intend to include Dazzler in your X-Factor line-up? Dazzler #42, the
last issue, has Beast recommending X-Factor to Dazzler and Amazing
Heroes #92 indicated that her shift to that team was even likelier since
both books shared the same editor. Could you elaborate on any of this?
If she was in your original plans was X-Factor still intended to be a
"mutant hunting" front that secretly aided mutants? Any info would be
greatly appreciated it--I'm a big fan of the Dazzler character and have
always been curious about whether this were true and, if it were, how
things may have panned out. Thanks for your time.
Jeff (no last name given) |
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Dear
Jeff,
As a matter of fact, that
rumor is totally true!
When Jackson Guice and I were developing the
series, Jean Grey was still stone-cold dead. Since we knew we would have
to have the "babe factor" in any Marvel X-men series, we made the
decision to draft Dazzler as Marvel Girl's replacement. As you can see
in the version posted here (one of the seven covers that Jackson and I
designed that were later rejected) we deliberately left the central
female figure blank.

I added the Jean Grey
features to the inked version only a few years ago when I found the
original pencils. As it turned out, I believe it was Kurt Busiek who
came up with the idea of how to resurrect Jean Grey and pitched the idea
to, then Fantastic Four writer/artist, John Byrne. I believe it was Byrne
who came up to me in the Marvel offices and said, "Hey Bob-- how'd you
like to have Jean Grey back for X-Factor?" Naturally, I was intrigued.
As the story goes, Byrne brought her back in the pages of the Fantastic
Four and that allowed me to relaunch the original X-men with all members
intact.
Unfortunately, the X-Factor story
takes a downhill turn after that. But that's a tale to be told another
time. Needles to say, poor Dazzler was left out in the cold through all
of this.
Thanks for asking,
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